You Ve Got To Know When To Hold Them
2021年3月15日Register here: http://gg.gg/onuht
*You’ve Got To Know When To Hold Them
*You’ve Got To Know When To Hold Them Lyrics
*Kenny Rogers You Gotta Know When To Hold Them
G D A D Said, ’If you’re gonna play the game, boy, ya gotta learn to play it right. D G D You got to know when to hold ’em, know when to fold ’em, G D A know when to walk away and know when to run. D Em/A D G D You never count your money when you’re sittin’ at the table. G D A D There’ll be time enough for countin’ when the dealin’s done. You Got to Know When To Hold’em Laundry Room Decor - Home Decor - Wall Decals - Quote Saying Wall Words Lettering Decals Stickers 1697 $ 22.99 Request a custom product. Know when to fold ’em. Know when to walk away and know when to run. I know it isn’t exactly as though anyone was marking their calendars in anticipation of my laundry room update but I still felt guilty for doing just that: holding the laundry room update until it felt like life might stop sabotaging it. You’ve Gotta Know When to Hold’em, Know When to Fold’em. About 25 years before I started playing poker, when I was just a little boy, Kenny Rogers’ song “The Gambler” came out. My parents tell me it was my favorite song. For readers with fewer gray hairs than. Said, ’If you’re gonna play the game, boy, ya gotta learn to play it right. You got to know when to hold ’em, know when to fold ’em, Know when to walk away and know when to run. You never count your money when you’re sittin’ at the table.
With the 4.0 software, proposals have never been better. There are times however when the software can become confused. We can send it a mixed message when we violate the basics – Prep, Powder and Picture. Generally, when we see a less-than-optimal proposal, with a few exceptions, there is a disconnect between what we are giving the software and what we actually want it to do. We have all experienced that heart sinking moment when we need a good proposal – usually when we are feeling rushed or struggling with a difficult patient – and the software gives us a bad one. We need to make that split second decision whether to keep it and work through the design process or go back and see where we went wrong.
Sometimes it’s a tough call. Many times, staying with the poor proposal and using the tools to correct things is our initial instinct. Going back, especially with a patient watching and asking questions, can be a bitter pill to swallow. Poor proposals can be looked at as a symptom of the underlying problem. The exceptions to that rule are when we are proposing Implant crowns and teeth in severe cross bite or other malocclusions. Those need to be worked out on an individual basis. It’s the ones that we expect a slam dunk and get something different that need our full attention and a hard decision.
So, when you get that bad one, first check to see that you did not accidentally call a full-coverage restoration a partial-coverage one or vice-versa. Correcting that can make all the difference in the world.
Next, go back to your images in all catalogs and look for any that are shaky or have a strong angulation that can create spikes and lines. Look for images with blood or saliva contamination and also look for ones where the margin is obscured or covered. Ignore the bad ones and reimage if necessary. Check the margin line for any little steps or loops. Correcting that is easy, just re-draw. Then look at the super- important insertion axis. In fact, after confirming that I declared the restoration correctly, that is the first fix I look to. Tweak the insertion axis and re-propose. Many times that solves the problem.
In addition, keep your occlusal minimal thickness parameter low and you will enjoy better overall proposals. Equally as important is to prep slowly and carefully. Give enough clearance and smooth the preps well. Get good tissue separation at the margins, powder lightly and take great images.
The software is what we all blame first. Generally, that’s not the case. Look to the information we are feeding it and you may just find the problem. Humbling? Yes. Are we bad dentists? No. Think back to the cases where our proposals were bad. Were we rushing? Was the patient difficult? Were there other things going on at the time to distract us? Those are usually the times we run into problems. Just another day in the life…
[Wyclef Jean]Yo I’m happy to be in the Southto set off my tour in the countrysideBut who better to set it off for me than this man right hereYou’ve Got To Know When To Hold Them
[Kenny Rogers]Yo this Kenny Rogers chillin on the country sidewith men like Wyclef (uh-huh) Jerry Wonder (uh-huh)Big Jack (mm-hmm) Big Beast (mm-hmm)And we gon’ do something like this for you
You got to know when to hold ’em (YEAH, YEAH!)Know when to fold ’em (DJ’s, DJ’s!)Know when to walk away (HIP-HOP, HIP-HOP!)Know when to run.. (YEAH, YEAH!)You got to count your dub-plates (GHETTO, GHETTO, GHETTO)before you touch the turntables (ALL HOODS!)Cause if you run out of big tunesthat means your sound is done (Y’ALL READY?)
Chorus: Kenny RogersYou’ve Got To Know When To Hold Them Lyrics
You got to know when to hold ’emKnow when to fold ’em (soundbwoys)Know when to walk awayKnow when to run.. (hey, hey, hey, hey..)You got to count your dub-platesbefore you touch the turntables (DJ’s)Cause if you run out of big tunesthat means your sound is done
[Pharoahe Monch]Get the hell up!’Clef said, get the hell up!Now throw your hands in the sky (BO! BO! BO! BO!)Brooklyn in the back shootin c___s y’all whassup?Ladies; lookin hot and prettyDoin your thing in the club high sadittyWORLDWIDE - the gritty committee pity the fool thatact {s___ty} in the midst of the calm, the wittyKenny Rogers You Gotta Know When To Hold Them
(You got to know when to hold ’em..)Y’all know the name!Same a__assin from before, but the beat just changed a little(??) who flip flowsthat got women in they thongs gettin on but not SisqoSelect your squad team and your itchBey know my flow muy caliente, fuegoNo disrespect to soundbwoy, but you better step away from meEasily defeat measley MC’s and tease youEase back squeeze two in your wig and breeze through
Chorus
[Wyclef Jean]C’mon, c’mon(Get the hell up!)Soundbwoys (’Clef said, get the hell up!)(Now throw your hands in the sky) YoThis combination gon’ bust from Brooklyn to ShanghaiFeel the boogie boogie Henny got me tipsy tipsyKenny Rogers and Pharoahe Monch? No way, this can’t be48 tracks, country meets rapPut this on full blast, I’m about to break all formatsMy destiny is to lead while y’all followThis is +Showtime+ and I’m +Live at the Apollo+
Chorus Two: Kenny Rogers + Wyclef
You got to know when to hold ’em (soundbwoys)Know when to fold ’em (emcees)Know when to walk away (yeah, yeah, yeah..)Know when to runYou got to count your dub-platesbefore you touch the turntables (DJ’s)Cause if you run out of big tunesthat means your sound is done
Chorus
See also:JustSomeLyrics5252.121no doubt everything’s wrong LyricsFangoria Estes Donde Estes Lyrics
Register here: http://gg.gg/onuht
https://diarynote.indered.space
*You’ve Got To Know When To Hold Them
*You’ve Got To Know When To Hold Them Lyrics
*Kenny Rogers You Gotta Know When To Hold Them
G D A D Said, ’If you’re gonna play the game, boy, ya gotta learn to play it right. D G D You got to know when to hold ’em, know when to fold ’em, G D A know when to walk away and know when to run. D Em/A D G D You never count your money when you’re sittin’ at the table. G D A D There’ll be time enough for countin’ when the dealin’s done. You Got to Know When To Hold’em Laundry Room Decor - Home Decor - Wall Decals - Quote Saying Wall Words Lettering Decals Stickers 1697 $ 22.99 Request a custom product. Know when to fold ’em. Know when to walk away and know when to run. I know it isn’t exactly as though anyone was marking their calendars in anticipation of my laundry room update but I still felt guilty for doing just that: holding the laundry room update until it felt like life might stop sabotaging it. You’ve Gotta Know When to Hold’em, Know When to Fold’em. About 25 years before I started playing poker, when I was just a little boy, Kenny Rogers’ song “The Gambler” came out. My parents tell me it was my favorite song. For readers with fewer gray hairs than. Said, ’If you’re gonna play the game, boy, ya gotta learn to play it right. You got to know when to hold ’em, know when to fold ’em, Know when to walk away and know when to run. You never count your money when you’re sittin’ at the table.
With the 4.0 software, proposals have never been better. There are times however when the software can become confused. We can send it a mixed message when we violate the basics – Prep, Powder and Picture. Generally, when we see a less-than-optimal proposal, with a few exceptions, there is a disconnect between what we are giving the software and what we actually want it to do. We have all experienced that heart sinking moment when we need a good proposal – usually when we are feeling rushed or struggling with a difficult patient – and the software gives us a bad one. We need to make that split second decision whether to keep it and work through the design process or go back and see where we went wrong.
Sometimes it’s a tough call. Many times, staying with the poor proposal and using the tools to correct things is our initial instinct. Going back, especially with a patient watching and asking questions, can be a bitter pill to swallow. Poor proposals can be looked at as a symptom of the underlying problem. The exceptions to that rule are when we are proposing Implant crowns and teeth in severe cross bite or other malocclusions. Those need to be worked out on an individual basis. It’s the ones that we expect a slam dunk and get something different that need our full attention and a hard decision.
So, when you get that bad one, first check to see that you did not accidentally call a full-coverage restoration a partial-coverage one or vice-versa. Correcting that can make all the difference in the world.
Next, go back to your images in all catalogs and look for any that are shaky or have a strong angulation that can create spikes and lines. Look for images with blood or saliva contamination and also look for ones where the margin is obscured or covered. Ignore the bad ones and reimage if necessary. Check the margin line for any little steps or loops. Correcting that is easy, just re-draw. Then look at the super- important insertion axis. In fact, after confirming that I declared the restoration correctly, that is the first fix I look to. Tweak the insertion axis and re-propose. Many times that solves the problem.
In addition, keep your occlusal minimal thickness parameter low and you will enjoy better overall proposals. Equally as important is to prep slowly and carefully. Give enough clearance and smooth the preps well. Get good tissue separation at the margins, powder lightly and take great images.
The software is what we all blame first. Generally, that’s not the case. Look to the information we are feeding it and you may just find the problem. Humbling? Yes. Are we bad dentists? No. Think back to the cases where our proposals were bad. Were we rushing? Was the patient difficult? Were there other things going on at the time to distract us? Those are usually the times we run into problems. Just another day in the life…
[Wyclef Jean]Yo I’m happy to be in the Southto set off my tour in the countrysideBut who better to set it off for me than this man right hereYou’ve Got To Know When To Hold Them
[Kenny Rogers]Yo this Kenny Rogers chillin on the country sidewith men like Wyclef (uh-huh) Jerry Wonder (uh-huh)Big Jack (mm-hmm) Big Beast (mm-hmm)And we gon’ do something like this for you
You got to know when to hold ’em (YEAH, YEAH!)Know when to fold ’em (DJ’s, DJ’s!)Know when to walk away (HIP-HOP, HIP-HOP!)Know when to run.. (YEAH, YEAH!)You got to count your dub-plates (GHETTO, GHETTO, GHETTO)before you touch the turntables (ALL HOODS!)Cause if you run out of big tunesthat means your sound is done (Y’ALL READY?)
Chorus: Kenny RogersYou’ve Got To Know When To Hold Them Lyrics
You got to know when to hold ’emKnow when to fold ’em (soundbwoys)Know when to walk awayKnow when to run.. (hey, hey, hey, hey..)You got to count your dub-platesbefore you touch the turntables (DJ’s)Cause if you run out of big tunesthat means your sound is done
[Pharoahe Monch]Get the hell up!’Clef said, get the hell up!Now throw your hands in the sky (BO! BO! BO! BO!)Brooklyn in the back shootin c___s y’all whassup?Ladies; lookin hot and prettyDoin your thing in the club high sadittyWORLDWIDE - the gritty committee pity the fool thatact {s___ty} in the midst of the calm, the wittyKenny Rogers You Gotta Know When To Hold Them
(You got to know when to hold ’em..)Y’all know the name!Same a__assin from before, but the beat just changed a little(??) who flip flowsthat got women in they thongs gettin on but not SisqoSelect your squad team and your itchBey know my flow muy caliente, fuegoNo disrespect to soundbwoy, but you better step away from meEasily defeat measley MC’s and tease youEase back squeeze two in your wig and breeze through
Chorus
[Wyclef Jean]C’mon, c’mon(Get the hell up!)Soundbwoys (’Clef said, get the hell up!)(Now throw your hands in the sky) YoThis combination gon’ bust from Brooklyn to ShanghaiFeel the boogie boogie Henny got me tipsy tipsyKenny Rogers and Pharoahe Monch? No way, this can’t be48 tracks, country meets rapPut this on full blast, I’m about to break all formatsMy destiny is to lead while y’all followThis is +Showtime+ and I’m +Live at the Apollo+
Chorus Two: Kenny Rogers + Wyclef
You got to know when to hold ’em (soundbwoys)Know when to fold ’em (emcees)Know when to walk away (yeah, yeah, yeah..)Know when to runYou got to count your dub-platesbefore you touch the turntables (DJ’s)Cause if you run out of big tunesthat means your sound is done
Chorus
See also:JustSomeLyrics5252.121no doubt everything’s wrong LyricsFangoria Estes Donde Estes Lyrics
Register here: http://gg.gg/onuht
https://diarynote.indered.space
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